1, 3, 5 და ..  
Galleri GRO, Jakobsstad

Ghislain Amar (*1984 in Montpellier/FR) and Lionel Biermann (*1984 in Arles/FR) came to Nykarleby in 2011 to continue their collaboration they started 10 years ago in Montpellier. Their shared interest lies within the field of sculpture that deals with questions of forms and the potential of carrying content. During their eight weeks stay they put together an exhibition called ”The sound is a vibration of the air which is propagating” that was presented in an empty shop in the centre of Nykarleby. For their participation in ” 1, 3, 5 და .. ” they choose to depart on a film like set installation that involves materials as wood, plaster, light, paint and time. The viewers find themselves confronted on the ground floor of the GRO Galleri of NOVIA Yrkeshögskolan with works that draw from domestic forms in which the reference towards real life has been slightly shifted.
The scenario, a collage of anecdotes and cut outs of reality opens up towards an urban landscape, switching between night and day.



Gerwin Luijendijk’s (*1980 in Zaandam/NL) work ”This is not my space” was produced during his residency at Nykarleby. In this work he films an improvisational dancer and her routine. Due to the mirrored dance hall, the artist himself becomes part of the performance. By adding his own personal voiceover he reflects on his role as artist, his artistic choices and on the female dancers game with the camera and the mirrors. This work is accompanied by a digital photograph, which shows a huge rock in the neighbourhood of the old Östanlid Sanatorium. The visitor of the exhibition can sit on a bench just in front of the image, but with its back to this desirable view.
The other video by Gerwin Luijendijk, “Form as we know it”, shows the artist’s parents at home, learning the English Waltz with the help of an instruction video. Here he wants to investigate his possible influence on what happens in front of the camera, more through a conceptual set up than the classical role of a film director. Desire and the question how to get closer to its fulfilment is a red thread in the artists works. How does each person deal with the boundaries of its own existence and the day-to-day compromises?

Nina Svensson (*1968 Sollefteå/SE) and Bernd Krauß (*1968 in Nürnberg/GER) arrived with a paper figure in their mind to Nykarleby they had found at the Kulturmagasinet in Sundsvall built by kids resembling the Swedish King Gustav Adolf. Even being the founder of Nykarleby he had never been in the village. With a reconstruction of this paper figure both or better all three moved on a trolley through Nykarleby, showing him around and making him familiar with site and people. Shortly before leaving the team of Café Brostugan declared they would love to overtake taking care about the paper king until Nina Svensson and Bernd Krauß would come back for the summer to install their work ”Kungen har ett hem” at Brostugan. The installation they present in Jakobstad is a new version called now ”GA Salen”.
Next to the King a panorama documentation of Gunner Cléments Wall painting at Brostugan can be found. A series of architectural drawings by the until unknown artist group ”Soffgruppen” is shown in a more archival situation on the back wall. Brostugan´s activities are resembled with a conference of Coffee cans under a seating furniture in the centre of the installation.